Business
Far from home, close to grief: why millions of Filipino migrants dread Undas
By Katherine Langford
Hong Kong’s art trading hub ambitions rest on more than headline sales
Katherine Langford
Katherine Langford
Editor-in-Chief · Edina, MN
Katherine oversees editorial operations across all six brands. Before joining The Meridan Group, she spent 14 years at the Minneapolis Star Tribune, where she led the metro desk through its digital transformation. She holds a Master's in Journalism from Northwestern's Medill School.
More from Katherine →Editor-in-Chief · Sunday, November 1, 2026 at 1:30 AM · 1 min read
A Vincent van Gogh painting not shown publicly for more than 60 years recently drew hundreds of people to Sotheby’s Hong Kong. Painted in May 1890, Châtaigniers en fleurs (Chestnut Trees in Flower) is a major work from his Auvers-sur-Oise period and could set an auction record. For three days, Sotheby’s opened the private collection to public viewing in Hong Kong. Its brief stay raises a question about the city’s art hub ambitions: what lasting expertise can be built around a masterpiece that...
Up nextFar from home, close to grief: why millions of Filipino migrants dread UndasBusiness · 1 min read
